**new album Titanic Rising out April 5th, 2019** Share this post. Definitely love with way more too.Trivia: Father John Misty has said that Weyes Blood's voice sounds like his sped up to 45. Instead, it feels like Mering knows exactly where she’s going. Linkedin. The song is amazing.I love the song, but watching the video along with the music was the first time I heard it and it's still the experience I prefer to simply listening on the album.Granted - it's still totally endearing and beautiful and honest as a song I love it...it's just that the video is so fucking well done.Movies was the first song really turned this album into something memorable for me. “Everybody is their own galaxy, their own separate entity. It was a tough move. Titanic Rising is the fourth studio album by American musician Weyes Blood, released on April 5, 2019 by Sub Pop. Press question mark to learn the rest of the keyboard shortcuts Mering’s voice immediately jumps out for its bold contralto, deep and powerful yet coming in sighs—more like Mike Milosh of Rhye than, say, Cher. Over and over again on my first listen, I would find myself thinking, This, for me, is the perfect album to put on and just kinda let it ride out and take in the feeling of the music. Her voice and overall lyrical content remind me of Mitski, only I like this Top 3 of the year so far, definitely. “It’s a 6-foot-long stringed instrument with a bridge in the middle, and you play the left side of the bridge so the harmonics are the only things that are picked up by the pickup. 1 year ago Northern Transmissions is a music website started for music lovers, by music lovers. If you think of The Beatles, they weren’t perfectly in tune—and you can hear it. It was fun to deconstruct and get back to the primordial soup of sound-making.”Rado, who is known for his sometimes unorthodox recording techniques—he once invented a 24-track tape loop that would spin around the studio, and recorded its warbly sound in transit on last year’s Houndmouth album—pushed Mering to look to her instrument-inventing past and try to do it again, even if the resulting sounds didn’t make the final mix.Recorded over a period of three months at Sonora Studio, an unassuming building mere yards from the Los Angeles River in Los Feliz and jokingly home to Elliott Smith’s ghost (he partly recorded “There are no audible mistakes, it’s just that not everything is absolutely perfect,” she explains.

can you imagine?I had the same thought when I was listening to this. ReddIt. It’s the content that’s a little heavier than the beginning, which is more like, ‘Yeah, a lot’s going to change, it’s hard to date, and we all need a little something to believe.’ There’s the hope and then it gets a little dark, but then it comes back with some hope.”In April of last year, one day before entering the studio to begin work on At the time, his statement felt more than a bit hyperbolic. Digg. There is a feeling of needing to be saved, and that’s a lot to ask of people.” So says Santa Monica-based solo musician Mering’s voice immediately jumps out for its bold contralto, deep and powerful yet coming in sighs—more like Mike Milosh of Mering writes about the calling power of love through ‘sincere looks’ and inner voices, always looking for something greater to show itself, which is where the album’s nebulousness comes from. It puts me in a unique place and I am thankful for that.I really enjoyed this album on the first listen. Solo act Weyes Blood brings grandeur to a lonely stage production, ethereal at times while shockingly concrete at others, thanks to its intoxicating blend of cosmology and cinema.

Post was not sent - check your email addresses! He’s worked on some of the biggest retro-influenced indie-rock records of the last half decade, including Father John Misty’s “As much as we were having fun with the songs, we wanted to leave some space for our first love, which was ambient stuff,” Mering explains in a gorgeous hotel room in Williamsburg, gazing out upon the Manhattan skyline. Natalie Mering was a gifted child, to say the least. Pinterest. I remember hearing that like a ghost of the first process of recording, and I was like, ‘We’ve got to find a way to bring that all back in.’ From the string quartet to the synth to the song, ‘A Lot’s Gonna Change,’ it’s almost all like one piece.”“When you get into ‘Titanic Rising’ into ‘Movies’ into ‘Mirror Forever,’ into ‘Wild Times,’ you’re going down into the caves of humanity,” Mering explains of the album’s sequencing. Her vocals on the opening track are just killer. My vote goes to the 1996 miniseries.


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