In 1964 a group of 7-year-old children were interviewed for the groundbreaking documentary Seven Up. Color Adjustment is a 1992 documentary film that traces 40 years of race relations and the representation of African Americans through the lens of prime-time television entertainment, scrutinizing television's racial myths. Revisiting the programs "Beulah," "The Nat King Cole Show," "Julia," "I Spy," "Good Times," and "Roots," viewers see how bitter racial conflict was absorbed into non-controversial series. "You are ?" That was a Hollywood maid," says Esther Rolle, the star of "Good Times," of the grinning actress (Louise Beavers) who made Beulah so agreeable to white audiences. Even so-called breakthrough TV, like the Diahann Carroll sitcom "Julia" (1968-71) placed its idealized Black heroine into an impossibly color-blind society that interviewee Carroll admits was blandly one-dimensional. The documentary provides the spectator with an insightful look at the representation of African Americans in TV. His solution is to re-invent himself. He contends that TV has always pandered to a sham vision of the American Dream: a superficial, consumer-crazed, affluent utopia with no relevance to the real world. Brilliantly weaving clips from classic TV shows with commentary from TV producers, black actors and scholars, Marlon Riggs blends humor, insight, and thoughtful analysis to explore the evolution of black/white relations as reflected by America’s favorite addiction.POV believes in the power of film to engage communities in dialogue around the most pressing social issues of our time. Riggs: "Essentially he said hedid not want to engage in a public debate about dissension within the Black community.
Variety shows hosted by Sammy Davis Jr., Flip Wilson and Leslie Uggams are ignored. Color Adjustment. A film about black experiences with a "backdrop of Creole cooking." I find that very old-fashioned and quite regressive.

"Course! It presents a no-win situation, a set-up in which any Black who succeeds on the tube is demonized for selling out.
The politically correct commentators slam the mini-series "Roots" for obliquely suggesting that the struggle of American Blacks ended with Reconstruction; nobody refers to itsfollowup "Roots: The Next Generation." The film, which opens today at the Anthology Film Archives, devotes attention to Nat (King) Cole's variety show, which marked the first non-comedic series starring a black performer and was canceled for lack of sponsorship after a single season. Response to Color Adjustment. "Could prime-time break the mold of comedy and still comfort white America?" By the end of the doc, the audience is left with the feeling of the UN-appreciation of African Americans towards progress of their representation in television.Looking for some great streaming picks? Carroll acknowledges that she herself was "guilty of something we had to do for survival, and that's called adjustments." Sign up and add shows to get the latest updates about your favorite shows - Download the TV Guide app for iPhone, iPad and Android! is superimposed over the smiling visage of BillIn other words, COLOR ADJUSTMENT is, well, rigged. …

POV Season 5. Narrated by Ruby Dee, it is a sequel to Riggs’s Ethnic Notions, this time examining racial stereotypes in the broadcast age. Black revolutionaries are betrayed by one of their own. To preserve these articles as they originally appeared, The Times does not alter, edit or update them.Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. This film has no rating.TimesMachine is an exclusive benefit for home delivery and digital subscribers.This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996.

Certainly she had to make compromises to star on "Julia," the 60's show in which she played a fully assimilated nurse whose race was virtually an afterthought.


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